Item 1079A Man Holding an Acoustic Panel
New York: E.P. Dutton & Co., Inc., 1971. Cover painting by William David Ridenhour. First edition. Hardcover, dark gray cloth; blue and white spine titles in pictorial dust jacket, 8vo, 64 pp.
New York: E.P. Dutton & Co., Inc., 1971. Cover painting by William David Ridenhour. First edition. Hardcover, dark gray cloth; blue and white spine titles in pictorial dust jacket, 8vo, 64 pp.
Calais, VT: Z Press, 1980. Cover by Joe Brainard. One of 250 unsigned hardcover copies (though called for, this copy unnumbered). Hardcover, blue cloth; yellow title-label mounted to spine in pictorial dust jacket, 8vo, 122 pp.
New York: Boosey and Hawkes, 1968. Signature-bound in blue wraps, 4to., 224 pp. Vocal score for the opera by Rorem, for which Elmslie wrote the libretto. Based on the play by August Strindberg.
New York: Boosey and Hawkes, 1968. Signature-bound in blue wraps, 4to., 224 pp. Vocal score for the opera by Rorem, for which Elmslie wrote the libretto. Based on the play by August Strindberg.
New York: W.W. Norton & Company, 1932. Designed by Wener Helmer. First edition. Hardcover with black and gray cloth; gilt spine titles; dark red topstain; dust jacket, 38pp. 8vo. Translated by M.D. Herter Norton. Inscribed on the front endpaper from John Latouche to Kenward Elmslie: “J to K Noel –.....
Calais, VT: Z Press, 1986. Cover drawings by Jennifer Bartlett from In the Garden. First edition, one of 1,250 copies. Perfect-bound in French wraps, 8vo, 72 pp. Elmslie’s libretto for an opera based on Anton Chekhov’s play of the same name, as set to music by Thomas Pasatieri. An uncommon.....
Austin: Skanky Possum Press, 2000. Front and back cover portraits by Ken Tisa. Perfect-bound in glossy pictorial wraps, 8vo, 87 pp. Kenward's reading copy with annotations in Elmslie’s hand and tipped-in slips sequencing a reading order. We suspect this copy was used in preparation for a reading with Bill Berkson.....
New York: Roof Books, 1991. Cover art: Anne Tardos. Perfect-bound in glossy pictorial wraps, 8vo, [112]pp.
New York: Penguin, 1994. Cover art: sculpture from Pergamon Altar, Bildarchiv Preussischer Kulturbesitz. First edition. Hardcover with speckled gray boards backed with gray cloth in pictorial dust jacket, xvi, 101pp. 8vo. According to a remembrance published in the Poetry Project Newsletter, Issue #269, Elmslie and Lauterbach became friends while she.....
New York/Providence: Tender Buttons, 1992. Perfect-bound in pictorial wraps, 9-1/4 x 6-1/8 in. [74]pp. From an edition of 350. Inscribed on the dedication page by publisher Lee Ann Brown: '"Eat any meal at the Chateau Frontenac." from "Things I'd Like To Do Again" To Kenward Elmslie, Love Lee Ann 1-28-93'.....
Buffalo, NY: Leave Books, 1991. Saddle-stitched with white thread in tall oblong wraps, 11 x 4-1/8 in. 21pp.
Pengrove, CA: Avec Books, 1992. Cover and three interior drawings by Trevor Winkfield. Perfect-bound in pictorial wraps, 8-1/2 x 5 in. 61pp. Inscribed by Gizzi on the title page: 'For Kenward [Elmslie]– "We're dressing for the movies" With love + postcards xxxx Peter Gizzi 9/7/92". Gizzi's first book.
Saratoga, CA: Instance Press, 2000. Perfect-bound in printed wraps, 8 x 6 in. 99pp. Signed (a scribble) and inscribed by Waldrop on the half-title: "For Kenward [Elmslie]"
New York: Boosey and Hawkes, Inc, 1966. Cover by Joe Brainard. Saddle-stapled in orange printed wraps. 85 pp. Elmslie's libretto for the opera composed by Jack Beeson.
Buckfastleigh, England: Etruscan Books, 1997. Second edition, from an edition of 500. Perfect-bound in glossy printed wraps, 9-3/4 x 6-7/8 in. 60pp. This copy inscribed by Dorn on the half-title: "For Kenward [Elmslie] — some recent work, obscurely published abroad Edward Dorn Los Angeles 24 March 1998"
New York: New Directions, 1994. Perfect-bound in glossy printed wraps, 8 x 5-1/8 in. 66pp. Signed and inscribed by Waldrop on the half-title: "For Kenward Elmslie Rosemarie Waldrop 19/94"
Bradford, UK / New York: Topia Press, 1977. No. 30 of 200 copies. Perfect-bound in brown matte wraps, 8-1/4 x 11-3/8 in. [40] pp. Poems by Elmslie with illustrations of gardens by English painter Karl Torok (1950-2015) reproduced in color.
West Branch, IA: Morning Coffee Chapbook Seven, 1984. No. 352 of an edition of 575 copies signed by Padgett and Winkfield on limitation page at rear. Saddle-sewn in yapped red wraps with title card mounted on front cover, 6 x 9 in. [20]pp. This copy additionally inscribed by Padgett on.....
New York: The Kulchur Foundation, 1979. Perfect-bound in printed wraps, 9-7/8 x 7-5/8 in. 148pp.
Providence: Burning Deck, 1976. Perfect-bound in pictorial wraps, 9 x 6 in. 42pp. Inscribed by Guest on the half-title: "Admiring glances from the countess as ever, Barbara." Kenward Elmslie's copy, presumably inscribed to him.
New York: Olympia Press/The Traveller's Companion Series, 1969. First Edition. Perfect-bound in green printed wraps, 6-7/8 x 4-1/4 in. 174pp. Di Prima's erotic memoir about coming of age as a woman in the Beat years.
Los Angeles: Little Caesar Press, 1980. Perfect-bound in printed wraps, 8-1/2 x 5-1/2 in. 130pp. Inscribed at his p. 13 contribution (a single poem) by Donald Britton: "Love to Kenward [Elmslie], Donald 3/31/80". Donald Britton was a New York and later Los Angeles-based poet who died of AIDS complications in.....
Columbia, MO: Open Places, 1978. From an edition of 1,000. Perfect-bound in photo-pictorial wraps, 8-3/8 x 5-1/2 in. 80pp. Inscribed on the front endpaper: "For Kenward Elmslie – Rosemarie Waldrop". Poems by Waldrop, with several reproduced photos by Amy Stromsten. Open Places Poets Series #5.
Richmond, CA: Omnidawn, 2013. Cover art by Keith Waldrop. First Edition. 8vo, perfectbound in printed wraps, 107 pp. Signed (a scribble) and inscribed by Waldrop on the title page: "For Kenward [Elmslie]". $30.
New York: 0 to 9 Books, 1968. 4to. Side-stapled in red wraps stamped in red on front cover. [38] pp. Mayer's first book, published by the 0 to 9 imprint she ran with her brother-in-law, artist Vito Acconci.